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    • Chris Horner

    • Time Series

      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Temporary Work)
      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #3 , 2018, 624 cm x 720 cm - Cotton polyester, Cotton mesh, Polyurethane silicone, Linseed oil, Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Acrylic, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #2, 2018, 199 cm x 257 cm - Paulin, Dirt, Sand, Cement, Tanking slurry, PVA admix adhesive, Concentrated sugar soap, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      Primary Scientific Time Data (PSTD) #1, 2018, 369 cm x 245 cm - Cotton mesh, Wood stain, Tanking slurry, Mortar plasticiser, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Time Record Sheet - Side 1), 2018, 21 cm x 29.6 cm - Paper, Ink
      7 Years of work noted over 29 Hours and 34 Minutes (Time Record Sheet - Side 2), 2018, 21 cm x 29.6 cm - Paper, Ink
      7 Years of work noted over 29 Hours and 34 Minutes, 2018, (Installation Format) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes, 2018, 79 cm x 113 cm - Cotton Polyester, Hard board, Linseed Oil, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes, 2018, 79 cm x 113 cm - Cotton Polyester, Hard board, Linseed Oil, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes, 2018, 79 cm x 113 cm - Cotton Polyester, Hard board, Linseed Oil, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Time Record Sheet - Side 1), 2018, 21 cm x 29.6 cm - Paper, Ink
      10 Years of work recorded over 70 Hours and 30 Minutes (Time Record Sheet - Side 2), 2018, 21 cm x 29.6 cm - Paper, Ink
      10 Years of work recorded over 70 Hours and 30 Minutes, 2018, (Installation Format) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes, 2018, 59.5cm x 60.5 cm - Cotton cloth, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic, Metal stand (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes, 2018, 59.5cm x 60.5 cm - Cotton cloth, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic, Metal stand (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes, 2018, 59.5cm x 60.5 cm - Cotton cloth, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic, Metal stand (Close up) (Temporary Work)

    • Chance Series

      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker
      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker
      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker
      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker
      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker (Close up)
      A Godalming Connection, 2018, 130 x 137 cm - Plastic, Woven Polypropylene, Dirt, Sand, Paraffin wax, Varnish, Gloss, Acrylic, Marker (Close up)
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic (Close up)
      'Challenged At The End Of The Day', 2018, 42 x 62 cm - Plastic, Sand, Dirt, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic (Close up)
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic (Close up)
      'Aggregated Through Time', 2017, 49 x 56 cm - Plastic, Sand, Dirt, Paraffin wax, Varnish, Gloss, Acrylic (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Position 1)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Position 2)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Position 3)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Position 4)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Suspending) - (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Position 1)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Position 2)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Position 3)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Position 4)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Slouching) - (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Position 1)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Position 2)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Position 3)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Position 4)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Close up)
      Stashed - Part 1, 2017, 113 x 162 cm - Paulin, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss, Acrylic - (Lying) - (Close up)
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic (Close up)
      'Cemented At Last', 2017, 44 x 58.5 cm - Plastic, Dirt, Microcrystalline wax, Varnish, Gloss, Acrylic (Close up)

    • The Unfamiliar's

      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic
      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic
      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic
      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic
      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic (Close up)
      Undirtied Paulin, 2017 , 78 x 110 cm - Paulin, Dirt, Sand, Paraffin wax, Microcrystalline wax, Gloss, Acrylic (Close up)
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic (Close up)
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic (Close up)
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic (Close up)
      Unslicked Paulin, 2017 , 60.5 x 127.5 cm - Paulin, Paraffin wax, Microcrystalline wax, PVA glue, Acrylic (Close up)
      Unbandaged Paulin, 2017 , 51 x 93 cm - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic
      Unbandaged Paulin, 2017, 51 x 93 cm - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic
      Unbandaged Paulin, 2017 , 51 x 93 cm - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic
      Unbandaged Paulin, 2017, 51 x 93 cm - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic
      Unbandaged Paulin, 2017 - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic (Close up)
      Unbandaged Paulin, 2017 - Paulin, Dirt, Plaster bandage, Paraffin wax, Microcrystalline wax, Glass wax, Acrylic (Close up)

    • Paintings

      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      7 Years of work noted over 29 Hours and 34 Minutes (Underlay protector sheet), 2018, 61.8 cm x 122.7 cm - Hard Board, Bitumen Emulsion, Rubber Latex, Paraffin wax, Microcrystalline wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      10 Years of work recorded over 70 Hours and 30 Minutes (Underlay protector sheet), 2018, 123.4 cm x 122.7 cm - Face Plywood, Cement, Bees wax, Varnish, Gloss, Emulsion paint, Acrylic (Close up) (Temporary Work)
      'A Constructed Residue Stemmed From Stashed - Part 1', 2018 , 50 x 250 cm - Corrugated plastic, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss (Temporary Work)
      'A Constructed Residue Stemmed From Stashed - Part 1', 2018 , 50 x 250 cm - Corrugated plastic, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss (Temporary Work)
      'A Constructed Residue Stemmed From Stashed - Part 1', 2018 , 50 x 250 cm - Corrugated plastic, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss (Close up) (Temporary Work)
      'A Constructed Residue Stemmed From Stashed - Part 1', 2018 , 50 x 250 cm - Corrugated plastic, Paraffin wax, Microcrystalline wax, Oil pastels, Varnish, Gloss (Close up) (Temporary Work)
      Untrialed Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Pigment ink, Indian ink, Acrylic
      Untrialed Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Pigment ink, Indian ink, Acrylic
      Untrialed Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Pigment ink, Indian ink, Acrylic (Close up)
      Untrialed Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Pigment ink, Indian ink, Acrylic (Close up)
      Ungreened Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Acrylic
      Ungreened Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Acrylic
      Ungreened Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Acrylic (Close up)
      Ungreened Paulin, 2017, 35 x 35 cm - Paulin, Microcrystalline wax, Varnish, Gloss, Acrylic (Close up)

    • Sculptures

      Contained Information #3, 2018, 40 x 40 x 2 cm - Glass, Natural pine constructed frame, Plastic, Canvas, Paulin, Nylon string, Oil pastels, Charcoal, Tanking slurry, Cement, Plaster, PVA admix adhesive, Matt paint, Enamel paint
      Contained Information #3, 2018, 40 x 40 x 2 cm - Glass, Natural pine constructed frame, Plastic, Canvas, Paulin, Nylon string, Oil pastels, Charcoal, Tanking slurry, Cement, Plaster, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #3, 2018, 40 x 40 x 2 cm - Glass, Natural pine constructed frame, Plastic, Canvas, Paulin, Nylon string, Oil pastels, Charcoal, Tanking slurry, Cement, Plaster, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #3, 2018, 40 x 40 x 2 cm - Glass, Natural pine constructed frame, Plastic, Canvas, Paulin, Nylon string, Oil pastels, Charcoal, Tanking slurry, Cement, Plaster, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #3, 2018, 40 x 40 x 2 cm - Glass, Natural pine constructed frame, Plastic, Canvas, Paulin, Nylon string, Oil pastels, Charcoal, Tanking slurry, Cement, Plaster, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #2, 2018, 20 x 20 x 2 cm - Glass, Natural pine constructed frame, Paulin, Tanking slurry, Plaster, Stain varnish, PVA admix adhesive, Matt paint, Enamel paint
      Contained Information #2, 2018, 20 x 20 x 2 cm - Glass, Natural pine constructed frame, Paulin, Tanking slurry, Plaster, Stain varnish, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #2, 2018, 20 x 20 x 2 cm - Glass, Natural pine constructed frame, Paulin, Tanking slurry, Plaster, Stain varnish, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #2, 2018, 20 x 20 x 2 cm - Glass, Natural pine constructed frame, Paulin, Tanking slurry, Plaster, Stain varnish, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #2, 2018, 20 x 20 x 2 cm - Glass, Natural pine constructed frame, Paulin, Tanking slurry, Plaster, Stain varnish, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #1, 2018, 30 x 30 x 2 cm - Glass, Natural pine constructed frame, Canvas, Oil paint, Cement, PVA admix adhesive, Matt paint, Enamel paint
      Contained Information #1, 2018, 30 x 30 x 2 cm - Glass, Natural pine constructed frame, Canvas, Oil paint, Cement, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #1, 2018, 30 x 30 x 2 cm - Glass, Natural pine constructed frame, Canvas, Oil paint, Cement, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #1, 2018, 30 x 30 x 2 cm - Glass, Natural pine constructed frame, Canvas, Oil paint, Cement, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Contained Information #1, 2018, 30 x 30 x 2 cm - Glass, Natural pine constructed frame, Canvas, Oil paint, Cement, PVA admix adhesive, Matt paint, Enamel paint (Close up)
      Nothing Out Of Something #1, 2018, 800 x 1200 cm - Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Temporary Work)
      Nothing Out Of Something #1, 2018, 800 x 1200 cm - Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Close up) (Temporary Work)
      Nothing Out Of Something #1, 2018, 800 x 1200 cm - Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Temporary Work)
      Nothing Out Of Something #1, 2018, 800 x 1200 cm - Tanking slurry, Plaster, Mortar plasticiser, Concentrated sugar soap, Beeswax, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Masonry paint, Acrylic, Matt paint, Gloss paint (Temporary Work)
      Nothing Out Of Something #2, 2018, 100 x 200 cm - Dirt, Sand, Cement, Tanking slurry, Concentrated sugar soap, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Temporary Work)
      Nothing Out Of Something #2, 2018, 100 x 200 cm - Dirt, Sand, Cement, Tanking slurry, Concentrated sugar soap, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Close up) (Temporary Work)
      Nothing Out Of Something #2, 2018, 100 x 200 cm - Dirt, Sand, Cement, Tanking slurry, Concentrated sugar soap, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Temporary Work)
      Nothing Out Of Something #2, 2018, 100 x 200 cm - Dirt, Sand, Cement, Tanking slurry, Concentrated sugar soap, PVA admix adhesive, Varnish, Gloss, Emulsion paint, Matt paint, Gloss paint (Temporary Work)
      Plastered Trace, 2017, 32 x 40 cm - Paper, Plaster, Paraffin wax, Microcrystalline wax, Acrylic
      Plastered Trace, 2017, 32 x 40 cm - Paper, Plaster, Paraffin wax, Microcrystalline wax, Acrylic
      Towel Trace, 2016, 22 x 25 cm - Blue towel, Paraffin wax, Acrylic
      Towel Trace, 2016, 22 x 25 cm - Blue towel, Paraffin wax, Acrylic
      Liner Trace, 2016, 20 x 23 cm - Liner, Paraffin wax, Acrylic
      Woodworm Trace, 2017, 25 x 22 cm - Tissue Paper, Paraffin wax, Acrylic
      Woodworm Trace, 2017, 25 x 22 cm - Tissue Paper, Paraffin wax, Acrylic
      Oil Trace, 2016, 25 x 35 cm - Canvas, Paraffin wax, Oil pastel, Acrylic
      Oil Trace, 2016, 25 x 35 cm - Canvas, Paraffin wax, Oil pastel, Acrylic
      Canvas Trace, 2016, 35 x 28 cm - Canvas, Paraffin wax, Acrylic
      Microcrystalline Trace, 2011, 32 x 52 cm - Canvas, Microcrystalline wax, Acrylic

    • Biography

      Chris Horner graduated with a BA Honours in Fine Art in 2012, and a Masters in Fine Arts in 2018 both at the University of Creative Arts. During this time his work has been exhibited broadly around the UK, most notably in May 2017 where his work was selected for the London International arts competition at the HLS Gallery in London, and an international arts festival in Venice, Italy, and an International Contemporary Art Fair in London.

      "Chris’ practice explores a relationship between artist and surface which inherits themes such as converting, transforming and materializing. This experimentation with medium and surface conveys an organic and almost tactile notion of transforming bodies. Working hand in hand with the notion of chance and error, his work revolves around the creation of elements which read as physical imprints of the body in all its vulnerability and intimacy. His Paulin series toys with the boundaries between textile, sculpture and image, creating playful and experimental topologies with a skin like textural quality. The body need not appear directly in order to become a constant, pervasive presence. Through these objects , Chris maps our relationship to our bodies and surroundings, the physical and mental imprints we leave behind as time edges on, materializing new forms and possibilities, new rituals for existing, changing and evolving. This obsessive means takes the form of a particular ritualistic approach to handling and deconstructing these textile forms, in a routine - like process which allows for an ever - changing long - term relationship with the material."

      Extract taken from the essay Intimate Displacements

      by Claire Mead, Art Historian and Independent Curator

      www.clairemead.wordpress.com

          

    • Artist Statement

      The excitement for me is within the material, converting and transforming the original quality of a surface is what shapes my practice. This emerges from a movement known as an (Unknown working process), which unravels new beginnings from what was seen previously and opens up many inquiries into new ways of thinking and recording data. This information found is split into sections, (Raw Data) is data which is not fully processed, where it is likely to be deleted or overridden. (Stored Data) is used to represent the notion of found data, where action is taken in order to bring an understanding to the format, leading to future progressions in a particular, cycle, system or operation. (Historical Data) is expressed through a broad set of data findings which illustrate a collection of past events, which is linked to the subject in question. This mode of working re-figures the original identity and characteristics of already used surfaces and objects. How the unseen aspect and nature of a surface or object is commonly hidden and not thought of, I like to impose this new condition which uncovers openings, taking away the concealed or non-exposed trait.

       

      I like to install a gap into my working process, as I find the outcome becomes more interesting. This gap creates a constant break up between intention and process, which enables the overall form an essence of magic. I believe that functioning in this format creates moments of unpredictability, where one’s mind cannot comprehend what has occurred. Questions start to materialise such as how has this form originated, and what procedures have gone into the creative and theoretical understandings of the artist? Other connections could be

      This immediate presence

      Visibility of work and space – environment

       

      To endure the viewer’s body into a performance of strange rituals – Maybe a similar physical gesture to which has been applied by the artist

       

      How the working process captures time in its 3 forms (The Past) – (The Present) and (The Future)

       

    • Artist CV

      Education

       

      • 2016 - 2018 University for the Creative Arts, Farnham, Masters in Fine Art 
      • 2009 - 2012 University for the Creative Arts, Farnham, BA Honours Degree in Fine Art
      • 2007 - 2009   Alton College, BTEC National Diploma in Art and Design
      • 2006 - 2007   Basingstoke College of Technology, BTEC First Diploma in Art and Design
      • 2005 - 2006    Basingstoke College of Technology, BTEC Introductory in Art and Design
       

      Selected Group Exhibitions

      • 2018
      • MA Degree Show, University for the Creative Arts, Farnham, Surrey
      • Affiliate , Safehouse 2, 139 Copeland Road, London
      • Open Art Exhibition, (The Local Artists Wall) , The George, Alton, Hampshire
      • MA Group Show, (Recent Works), The Linear gallery, Farnham, Surrey
      • Artrooms 18, International Contemporary Art Fair, Melia White House, Regents Park, London
      • "In bed with the Artists", Artrooms 18, Melia White House, Regents Park, London
      • Conversation on Card, Artrooms 18, (Arttrois Group), Melia White House, Regents Park, London
      • Building Bridges, Artrooms 18, (Arttrois Group),  Melia White House, Regents Park, London
      • Granular, Lewisham Arthouse, 140 Lewisham Way, London
      • ​2017
      • Open Art Exhibition, Allen Gallery, Alton, Hampshire
      • Anima Mundi  (Visions) - It's Liquid International Art Festival, Palazzo Ca' Zanardi, Venice, Italy 
      •  London International Art Competition,  HLS Gallery, Stoke Newington High Street, London
      • Iris Turns,  Bargehouse - Oxo Tower, Bargehouse Street, South Bank, London
      • MA YR1 Group Show, The Linear gallery, Farnham, Surrey
      • 2016
      • Abstract Art Show, The Brick Lane gallery - The Annexe, Brick Lane, London
      •  2012 
      • Milk Money, The Redchurch St Gallery, Redchurch St, London
      • BA Degree Show, University for the Creative Arts, Farnham, Surrey
      • 2011 
      • Eat my Hat, 10 Gales Gallery, Bethnal Green, London
      • Inhabitant, Farnham Library gardens, Farnham, Surrey
      • Limn, The Spring, Vauxhall, London  
      • 2010
      • Future Home, Future Homes, Wokingham, Berkshire

       

       

       

      Solo Exhibitions

      • 2018
      • Sculptural Painting Configurations, The Royal Marsden Hospital, Sutton, Surrey 
      • 2016
      • Open Studio Exhibition, University for the Creative Arts, Farnham, Surrey
       
      Achievements and Prizes
      • 2018
      • Shortlisted for It's Art Call 2018, The Cult House, After Nyne Gallery, 10 Portland Road, Holland Park, London 
      • Featured in the July Edition of  Artness Contemporary Magazine, Artness Contemporary
      •  Supported Artist Jonathan Parsons install his work Fossil Ocean Floor - in connection with Surrey Unearthed, Milton Court Farm, Dorking, Surrey
      •  Selected to work with Artness System
      •  Selected to work with Eezy Sleez Art
      •  Selected to work in association with Rossi Asiaghi 
      • Symposium research talk on Systematic Instructions formulated from elements of chance, University for the creative Arts, Farnham, Surrey
      • Selected for Artrooms 18, International Contemporary Art Fair, Melia White House, Regents Park, London
      • Selected for "In bed with the Artists" (Interview / Talk), Melia White House, Regents Park, London
      • 2017
      • Featured in the October Edition of Spotlight Magazine, Circle Foundation Arts
      • Shortlisted for The London International Art Competition,  HLS Gallery, Stoke Newington High Street, London 
      •  Selected to work with Siott Gallery

       

      Articles and Press

       

      Interview with Luca Curci during VISIONS of ANIMA MUNDI FESTIVAL in Venice

      http://www.itsliquid.com/interview-chris-horner.html

       

      Review of The Abstract Art show at The Brick Lane Gallery.

      https://www.list.co.uk/event/682126-abstract-art/

       

      Preview / Review of The London International Art Competition at HLS Gallery

      http://www.hlsgallery.com/

       

      Interview with UCA Farnham - On art practice & preview of It's Liquid International Arts Festival Venice

      http://www.uca.ac.uk/news/chris-horner/

       

      Preview of the It's Liquid Anima Mundi International Arts Festival Venice, Italy

      https://ucafarnhamarts.wordpress.com/2017/05/23/ma-student-chris-horner-in-anima-mundi-exhibition-venice/

       

      Interview with Siott Gallery - Exploring Avenues Of Objects - An interview with Chris Horner

      https://www.siottgallery.com/blog/2017/7/25/an-interview-with-chris-horner

       
      A video featuring the Circle Foundation Arts Members
       
      Featured in the Circle Spotlight magazine October 2017
       
      Interview with Palette Pages - Artrooms Artist Interview with Chris Horner
       
      Interview with Diana Fernandez - A Pioneer With Authentic Style An Interview with Chris Horner
       
       
       
       
       
       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

       

    • Contact

       

      chris.horner4@hotmail.co.uk

       

      www.facebook.com/chrishornerartist

       

      www.instagram.com/chrishornerartist

       

       

      info@rossiasiaghi.com

       

       

       

       

       

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